Global accounting giant KPMG has distanced itself from the Sydney writers’ festival, requesting its name be removed from the event’s website where it was listed as a corporate partner.

The move follows the festival scheduling Palestinian Australian academic Randa Abdel-Fattah to speak at two sessions in this year’s event.

A KPMG spokesperson confirmed the change on Thursday, telling the Guardian in a statement: “We are the auditor of the company, which we do not define as a ‘partner’. This is now reflected on their website.”

The spokesperson would not confirm whether the scheduling of Abdel-Fattah had prompted the move, but said the company had received calls expressing concern over this issue.

They confirmed that in previous years, KPMG had been comfortable with being described as a partner on the festival’s website.

KPMG has provided auditing services to SWF at a discounted rate since 2023.

The writers’ festival said in a statement that KPMG, according to the firm’s own statement, did not consider itself a partner of the event.

“The website now reflects this,” the festival said in a statement. “SWF have many wonderful partners and supporters, and we are grateful to all of them.”

Abdel-Fattah’s participation in literary events has become a flashpoint for the arts sector. In January the Adelaide writers’ week disinvited Abdel-Fattah from its program on the grounds of “cultural sensitivity” after a terror attack at Bondi Beach.

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It prompted a backlash that culminated in the resignation of the board and the whole event being cancelled.

Objections to her inclusion had centred around a 2024 social media post that said: “If you are a Zionist, you have no claim or right to cultural safety”.

Abdel-Fattah also faced backlash for posting “May 2025 be the end of Israel” and changing her profile picture to a picture of a Palestinian paratrooper after the 7 October attacks.

Abdel-Fattah told the ABC in an interview she had used the image when she had “no idea about the death toll”.

The Sydney writers’ festival board invited her to take part prior to the Bondi attack and the Adelaide writers’ week controversy. This week it stuck by the invitation, with chief executive Brooke Webb saying the event was “not in the business of cancelling or censoring writers”.

Alex Ryvchin, the co-chief executive of the Executive Council of Australian Jewry, told ABC News he interpreted Abdel-Fattah’s inclusion in the program as a “deliberate provocation and a middle finger to the Jewish community”.

Last week the NSW premier, Chris Minns, expressed reservations about Abdel-Fattah’s participation in the Newcastle writers festival, describing her inclusion as a “head-scratcher” and “crazy”.

On Wednesday, the NSW arts minister, John Graham, emphasised the need to “lower the temperature” of debate but said cancelling events did not achieve this.

“Everyone can play a part in that, including our cultural institutions and events,” he said. “We have seen that cancelling programs, rather than contributing to social harmony, can often have the opposite effect.

“We have been working closely with Jewish leaders and our cultural sector, including writers festivals, to find ways to make Jewish arts and culture lovers feel welcome at our events and institutions. My expectation is arts organisations make this a priority.”

Guardian Australia is also a partner of the event.

The new Adelaide festival board has issued a public apology to Palestinian Australian academic Randa Abdel-Fattah, and has promised she will be invited to Adelaide writers’ week in 2027.

Abdel-Fattah immediately accepted the apology, posting on Instagram that it was a vindication “of our collective solidarity and mobilisation against anti-Palestinian racism, bullying and censorship”.

She said she was still considering the board’s invitation to appear at the 2027 event.

In a statement on Thursday morning, Adelaide Festival Corporation acknowledged they had previously said they would exclude Abdel-Fattah from this year’s event “because it would be culturally insensitive to allow her to participate. We retract that statement”.

“We apologise to Dr Abdel-Fattah unreservedly for the harm the Adelaide Festival Corporation has caused her. Intellectual and artistic freedom is a powerful human right. Our goal is to uphold it, and in this instance Adelaide Festival Corporation fell well short.”

The new chair of the Adelaide festival board, Judy Potter, also extended the apology to Louise Adler, who resigned as AWW director on Tuesday in protest of Abdel-Fattah’s cancellation.

“We acknowledge the principled stand she took in the extremely difficult decision to resign from her role as director,” Potter said.

“Louise is a revered figure of Australian literature who we hold in the highest regard. Her contributions to, and stewardship of, Adelaide Writers’ Week in the time she has been the Director (2023 – 2025) have been outstanding.”

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Potter confirmed there was no possibility of the 2026 AWW going ahead.

“We understand that many in the community are urging reconsideration of the cancellation of Adelaide Writers’ Week in 2026,” she said.

“While we fervently share that desire, our informed assessment of the situation is that it is simply no longer viable for it to proceed.”

The festival’s executive director, Julian Hobba, told reporters at a press conference on Thursday that the festival will still pay the fee writers would have received had their appearances not been cancelled. However, he said this would not be extended to those who voluntarily pulled out.

The apology comes after Tony Berg, a former board member and the former managing director of Macquarie Bank, issued a statement to the media accusing Adler and Abdel-Fattah of a “selective” and “utterly hypocritical” devotion to free speech.

Adler resigned on Tuesday over Abdel-Fattah’s cancellation, and later that day, the Adelaide Festival Corporation announced the cancellation of the 2026 writers’ festival.

But in the statement circulated by Berg this week, the Sydney businessman said he was “utterly astonished” at Adler’s claim she had resigned in the name of free speech, and at Abdel-Fattah’s “outrage at being ‘cancelled’”.

“They both exhibit hypocrisy in defending free speech for some, when I observed them both to stridently oppose free speech during my time on the board,” he said, referring to the 2024 incident when controversial New York Times columnist Thomas Friedman was scheduled to appear but did not do so.

Ten academics, including Abdel-Fattah, had written to the festival board on 6 February 2024, requesting it rescind the invitation to Friedman, who had published a controversial column days earlier, which compared the Middle East conflict to the animal kingdom.

The festival board responded three days later in writing, telling the lobbying academics that requesting the board to cancel an artist or writer was “extremely serious”.

“We have an international reputation for supporting artistic freedom of expression,” the letter said, signed by the board’s chair, Tracey Whiting.

“Thomas L Friedman was programmed to contribute online from New York. However, I have been advised that due to last-minute scheduling issues, he is no longer participating in this year’s program.”

Berg said: “Adler led a demand to the board to retract an invitation to Tom Friedman to participate in the 2024 Adelaide Writers Week.

“After Tom Friedman was invited to speak, Randa Abdel-Fattah had led a group of academics demanding that Tom Friedman be deplatformed. Then Louise Adler, Ruth MacKenzie and Kath Mainland put an ultimatum to the Board that they would resign if it did not endorse their recommendation to disinvite Friedman. In the face of that threat, the board felt it had no alternative but to allow withdraw [sic] the invitation to Friedman.”

Berg said he understood why a number of authors [more than 170] had turned down invitations to come to AWW 2026 on freedom of speech grounds.

“But they should understand that the people with whom they are standing, in fact, have actively undermined freedom of speech in the past,” he said.

“Unlike Adler and Abdel-Fattah, I support free speech, not on a selective basis but with a range of views presented in respectful dialogue.”

Adler responded to Berg’s allegations by accusing the former board member of breaching board confidentiality.

“I consider discussions of the board table to be confidential,” she said in a prepared statement.

“I’m rather surprised that a former CEO of Macquarie Bank has breached those confidences. It’s indicative of the way the former board operated, and I believe will make for a rich case study for future management students.”

Abdel-Fattah disputed Berg’s claims that she, along with Adler, led the charge to cancel Friedman.

“I was one of 10 Indigenous and academics of colour who wrote a researched letter with references and footnotes about the harm of racial tropes,” she said in a statement to the Guardian.

“What is missing in this is the question of power. We write letters on Google Docs to boards. The people who want to cancel us have premiers intervening.”

Adelaide festival has been approached for comment.

Abdel-Fattah announced on Wednesday she would be pursuing defamation action against the South Australian premier, Peter Malinauskas, over comments he made earlier this week.

Abdel-Fattah said she would continue her defamation proceedings against Malinauskas on Thursday.

Since last Thursday, the South Australian premier has consistently denied any direct interference, insisting the board acted independently.

“However, when asked for my opinion I was happy to make it clear that the state government did not support the inclusion of Dr Abdel-Fattah on the Adelaide writers’ week program,” he said.

The premier said he was informed of the new board’s decision to apologise to Abdel-Fattah after that decision had been made on Wednesday. He said he did not agree with that decision.

“My position is consistent,” he said. “I thought it through very carefully before I made a decision, based on facts and principles, and the facts that informed my decision have now been proven … Other people can explain why they’ve changed their position.

“I certainly don’t feel the need to change mine. I’m in favour of inclusivity. I’m in favour of consistency, making sure that all voices are heard.”

The Greens arts spokesperson, senator Hanson Young, said the premier also had to apologise.

“Peter Malinauskas must also now apologise to Randa Abdel-Fattah, Louise Adler and the people of South Australia,” she said in a statement.