The protagonist of Meg Mason’s new book, the follow-up to the 2020 tragicomedy Sorrow and Bliss, is an invisible woman. She might well be standing there but you won’t notice her. She’s... Read more »
It’s hard to think of many superficial affinities between Frank O’Hara, the queer poet and art critic whose urbane voice is synonymous with 60s Manhattan, and Alexander Selkirk, the 18th-century Scottish privateer whose... Read more »