A Romp Through Rea Irvin’s Forgotten Sunday Funnies

A Romp Through Rea Irvin’s Forgotten Sunday Funnies

Rea Irvin, the magazine’s first art editor, is best known for creating Eustace Tilley, the monocled dandy whose upturned nose has graced our pages for a hundred years. Irvin established the stylish... Read more »
Saul Steinberg’s Masterful Language of Lines

Saul Steinberg’s Masterful Language of Lines

Saul Steinberg, the Romanian American artist and longtime New Yorker contributor, is as celebrated for his elegant line as he is for his razor-sharp wit. His 1945 début American collection, “All in... Read more »
Saul Steinberg’s Masterful Language of Lines

Four-Hundred-Plus Pages and a Day

In a new graphic novel, the petty and tedious appear magical and strangely beautiful. Source link Read more »
How Ruth Krauss Made a New Kind of Children’s Literature

How Ruth Krauss Made a New Kind of Children’s Literature

In 1952, a book appeared that redefined children’s literature. “A lap is so you don’t get crumbs on the floor,” it proclaimed. “A mustache is to wear on Halloween. A hat is... Read more »
Diary of an Abomination | The New Yorker

Diary of an Abomination | The New Yorker

Emil Ferris’s début graphic novel, “My Favorite Thing Is Monsters,” published when she was fifty-five, was a breakout hit, garnering praise from critics and peers for its intricately cross-hatched drawings, its gripping... Read more »
A Romp Through Rea Irvin’s Forgotten Sunday Funnies

The Splendor of Wordless Picture Books

In an essay that accompanied the 2021 exhibit “Speechless: The Art of Wordless Picture Books,” at the Eric Carle Museum of Picture Book Art, the children’s-book author David Wiesner laid down milestones... Read more »
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